Because of this, Shure KSM9 is much easier to use when there are other singers or instruments on the stage. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. This is to stop little bursts of air causing bassy pops on your studio recordings. So having the benefits of that technology available on stage for the live-sound market is very appealing. Together we are over 500 exceptionally creative and talented specialists working from design studios, research labs, and engineering centers across Europe and the US. The Neumann KMS105 is another live handheld condenser mic. However, when the stage gets more aggressive and louder, you will need theimproved rejection and gain before feedback of supercardioid. This means theyre prone to overload and distortion from louder singers. Just commenting again on the visuals for a moment, the KSM8 is a very elegant and classy-looking mic indeed, and if I didnt know better Id assume from its shape and styling that it was a capacitor mic rather than a moving-coil design. The only quibble I have is with the price, which at $499 is 5 times the price of the SM58. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. The capsule assembly process apparently involves ultrasonic and internal laser welding to help ensure excellent mechanical reliability, and the practical realisation of the Dualdyne capsule took Shures engineers seven years of development and optimisation. For example, AKG developed their D200 range of two-way or dual-capsule microphones in the late 1960s. It also helps to minimise high-frequency handling noise. Its worth noting that the E965 is a bit cheaper than the KSM9. Perhaps the closest competitor to the Shure KSM9 is the Sennheiser E965. Thank you for your request. The mic has a dual-diaphragm 19.8mm OD electret condenser capsule, with diaphragms mounted 3.7mm apart. In these microphones the front capsule mounted directly behind the grille captures only the high frequency components of the source sound, while a second capsule located behind it receives the low frequency sound components, via a damped acoustical tube from entry ports at the bottom of the microphones handle. The Shure KSM9 is also a great microphone, also it may be less expensive than the Neumann KMS105. Shure KSM9 has a fantastic quality and it gives a very natural sound. Picking the mic up reveals that it is pleasantly weighty, at 330g, and it feels well balanced in the hand. New Release: EDM Expanse (Construction Kits). I work for a medium sized provider in the UK, we have 16 channels of UHF-R (a mix of UR4D and UR4D+). and all parts are high grade. If you want the best quality XLR cables, try these. As mics go, Shures SM series are about as reliable and predictable as it gets, and so we were expecting a similar sound and behaviour from the KSM8. The KSM8 is not necessarily an upgrade. With solid internal engineering, it handles noise and feedback well. I think the champagne looks very chic! All you need to know about wireless microphones. It's the industry standard live vocal mic. The Neumann KMS 105 has a more natural sound and is more durable than the Shure KSM9. and if so what are your opinions. The "C" version is the best of the 87 lot for female vocals in my experience and I think the KSM9 is a huge improvement over it. While the KSM9 offered Cardioid and Supercardioid patterns, the KSM9HS offers Hypercardioid and Subcardioid (wide cardioid), selectable via a switch under the grille. The Shure KSM9 is a high-quality condenser microphone that is designed for live performances. With two ultra-thin diaphragms and groundbreaking reverse airflow technology, the KSM8 Dualdyne delivers unmatched control of proximity effect, presence peaks, and bleed and requires minimal EQ and processing. All contents copyright SOS Publications Group and/or its licensors, 1985-2023. In practical terms, working the microphone in the normal way exhibits a far more consistent and balanced sound than would be experienced with, say, an SM58, which can go from distinctly boomy to noticeably thin with only the smallest of positional changes. Dualdyne capsule continues the ongoing evolution of microphone technology. KSM8. This compliance is completely absent in a single-diaphragm cardioid capsule, of course. 10 Albums That Are Complete Masterpieces According to You! Shure are one of the industry leaders in vocal microphones. Q. http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf, Win! i recently bought neumann kms105 shure ksm8 and shure ksm 9 hs.. i am very satisfied from all as a better sound choice i choose neumann kms105 but for very very hard and dificult situations i mean bad places bad speaker place very easy to get feedback from mics i choose the ksm 9 hs on hypercardioid Live sound engineers often use signal processing, like equalization, to mitigate both the proximity effect of traditional microphones or to compensate for improper microphone technique (such as when a performer covers the grille with their hand). Off-axis frequency response is very smooth. Many singers love its ribbon-like feel, and although it may turn out beneficial for screaming or growling with a metal band, in your case, for a clean vocal you may need a brighter mic, so that it can cut through a dense mix more easily, such as KSM9, which also offers supercardioid mode for improved rejection, as long as you fix it on a stand and dont move around much. The lows are being naturally rolled off to avoid that unwanted mud and boominess. Your email, has been entered to win this giveaway. We have both b87c and b87a capsules for our handhelds too, but these don't see anywhere near as much use. It is also a great option for those who are looking for a microphone that is durable and easy to use. A good condenser will give any vocalist the air and sparkle required to effortlessly cut through the mix. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. The KSM8 is a dynamic mic, whereas the KSM9 is a condenser. Always works in a rock setting. I was hoping to get a few opinions on these microphones. You are using an out of date browser. However, the proximity effect is not the only aspect of the capsules behaviour that is changed by the addition of a rear passive diaphragm. As expected from professional equipment, youll get that superior quality and low noise levels. In Summary. Shure can be proud of their achievements in creating the Dualdyne capsule, and of advancing microphone technology in such a practically valuable way. Web site designed & maintained by PB Associates & SOS. But on closer inspection, each mic has their own distinct but subtle character. In terms of frequency response, the sound ofKSM9 is very well tailored, and it doessound much better than a typical flat-response condenser. The outer grille has been tempered to provide years of dent resistance. FR curves are similar (KSM9 has less proximity effect; KMS105 a bit smoother HF bump) and both seem to allow a good singer to sound, well, good. At first glance it looks just like any other conventional stage vocal mic theres nothing in its styling that signposts the clever technology within. If you have any questions not answered in this guide, please contact Shure Applications Engineering at 847-600-8440, Monday through Friday, from 8:00 am to 4:30 pm, CST. I haven't tried the sennheiser but I can tell you my experience with the kms105 and the ksm9(the ksm8 is a dynamic). If you experiment you may find you prefer the sound of one over the other, though the differences are quite small. Black, Soft Flex Swivel Stand Adapter for KSM8 and KSM9. Technical features include two ultrathin diaphragms, a neodymium magnet, a dent-resistant carbon steel grille, a new internal pneumatic shock mount and diaphragm stabilization system, and integrated hydrophobic wind protection. The Shure KSM9 has a sleek metal solid-colour design. Great site. General Description. Well, at 429, this mic doesnt come cheap. . Nice to know, that. Best for: Small touring applications, classrooms, office meetings, or fitness instructors on the go. . Great write up. SHOCKSTOPPER is a trademark of Shure Incorporated in the United States. A premium-range handheld condenser vocal mic with a clear and authentic sound. The KSM9 boasts a wide frequency range from 50 Hz to 20,000 Hz. But this mic is well constructed, and perfect for live performances which require that superior condenser sound. Also, what's your use case, as this will probably help us guide you towards to best choice! 210.65.88.143 But with good noise-handling and clever engineering, the KSM9 brings all of these qualities to the stage. MA 02210. With this taken care of, theres many advantages to using a condenser mic. And crucial for live use, the built-in advanced suspension shock mount offers good insulation from handling noise and rumble. The KSM9 has a dual-diaphragm design that provides accurate sound reproduction, and it also features a built-in shock mount to reduce noise and vibration. Shure KSM9 Multi-Pattern Condenser Microphone. This pneumatic shockmount employs tuned and damped cavities which are effectively pressurised by the sound waves which pass through the rear of the capsule and are then guided down into the shockmount itself. Wed love to hear from you. It offers a frequency response of 20Hz-20kHz and a maximum SPL of 150dB. Theyll deliver a higher quality sound than dynamic mics. Shure's KSM8 has been custom-made for live vocal reproduction, providing the near-exact sound of your voice through a PA or recording desk. The KSM8 provides greater immunity to these problems, due to linear polar response across the entire frequency spectrum. I also noticed how the mic bodys tapering shape and weight distribution automatically guides a natural hand position well away from the grilles rear entry ports. Its one of those things that comes down to personal taste. The Shure KSM9 is also a great choice for studio vocals. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Varying the labyrinth delay time slightly leads to other directional patterns, such as hyper- and super-cardioid, where the null angles are offset either side of the rear axis at 110 degrees and 126 degrees, respectively. Overall, the KSM8 appears to be a very impressive stage mic, both in terms of its practical sonic benefits, and in its innovative technology and sophisticated engineering. 5:52 Thanks for Watching! Whereas condenser mics are active meaning they need something called power phantom power. At 191 mm (7.5"), it's slightly longer than the Shure SM58. The grilles are of course replaceable Yet, considering the price of the unit, youd still want to treat it with all due respect and I hope this is a no-brainer. Their ability to reproduce sound so accurately is why they tend to be used in studio recording. The head of the mic is 49 mm (1.9") and it weighs in at about 300g (10.6oz). KSM8 Dualdyne Dynamic Handheld Vocal Microphone from Shure is a dual-diaphragm dynamic microphone crafted for vocal reproduction and sound-reinforcement in live performances and top-tier professional venues. At the bottom of the KSM8s capsule is a second passive diaphragm, which is there to seal the rear chamber and its internal acoustic labyrinth. On vocals and speech, although the level changes, you get very similar frequency response from a couple of inches up to about a foot. I wasnt able to try the KSM8 in a live stage situation, but I did compare it directly with both a Shure Beta 58 dynamic and SM87A capacitor stage mic in the studio. ; chanel Always hold the vocal mic by the main body, and if theres too much sibilance, try holding it slightly to the side. XLR cables are the only cables capable of carrying phantom power to the mic. A built in high pass filter on the KMS105 ensures the mic doesnt suffer too much from the proximity effect, although Id say the KSM9 is slightly better at feedback rejection. Theyre balanced, which means the cables are shielded from interference and carry a higher signal than unbalanced cables. Firstly, good live condenser mics, such as the KSM9 have internal shock mounts. Where the magic happens! Shure KSM9 Shop now at Amazon. More about the different types of microphones here. PA Consulting. Therell be less of the proximity effect, and the mic will pick up more sounds from other instruments, and the acoustics of the room. It also helps to counteract the proximity effect. Its unique capsule gives the KSM8 a cardioid polar pattern that is unusually uniform across the frequency spectrum.As polar patterns go the KSM8 boasts a remarkably consistent cardioid response, with an excellent rear null across most of the frequency range, and Shure claim it to be the purest cardioid polar pattern the company have developed to date. A supercardioid pattern is a little tighter around the mic, picking up sound around 57 degrees each side of the mic. These are the vibrations in the sub bass range that youll feel more than hear.
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